Sconvenienti Abitudini is a formal experiment arising from the contingencies of quarantine. 
It takes the form of an investigation of the integration process between art and devices, placed in the context of the Net, made up of simultaneous visualisation and distraction.

The installation, shared between the two works, does not take place by generating a composition in physical space, like that of a art gallery, a space dedicated to art; rather, it is constituted through a series of installation preconditions provided by the author, that can be applied individually and autonomously by the user, so as to reproduce the installation environment.

The required devices are plausibly accessible to everyone and already in everyone’s possession.